It looks like pledges have leveled off a bit but that’s to be expected at this point in time. We’re not quite halfway through the campaign and I know several people (most of them family members!) that still intend on making pledges so there are still good things to come.
You may have noticed that whenever the dollar amount reaches an odd number it will shortly round up to the next five-increment (as in 122 mysteriously becoming 125). Well, I’m here to tell you that we have a superhero in our midst, a would-be X-man named 5ive whose mutant power it to transform numerical totals to the afore-mentioned five-increment. He’s registered under his secret identity’s name but out of respect for his privacy I’m using his code-name.
…and I’m also sharing an image of him out of my sketch-book.
Thanks again for your support. If you haven’t done so already please share the Midnight Son link with your friends and family.
This is the URL for the prelaunch page for my Midnight Son Kickstarter project. At this point the intestinal Stukas are diving and bombing with a vengeance as the launch inches closer and closer. It’s been a challenging experience learning a new process like Kickstarter while coping with my recent medical developments and I would have given up long ago if it weren’t for Marc Miller’s guidance and efforts.
We’re tying up all the last details so keep checking periodically – and please get the word out to your family, friends, co-workers – anyone you can think of. With FaceBook’s infamous “friend-algorithm” I have no way of knowing if my post there will reach more than 25 people, so I can use all the help I can get.
If truth-in-advertising laws applied to higher education only twelve of the thirty-six months I spent earning my Master of Fine Arts degree would judged as being worth the tuition I paid – oh, I was busy all the time and made great strides in my work but that success was due primarily to faculty members from other departments, visiting professors and my own hustle. The regular tenured faculty members I had to interact with on a regular basis were less than effective – one professor in particular took great pride in scheduling office hours for the most inconvenient times possible in order to (and I quote) ” avoid being bothered with those pesky students!”
….however there was one time when she actually did come up with a decent idea when she tasked the members of the graduate seminar to create a autobiographical allegory of our lives in a design motif. I came up with a pretty nifty solution to the assignment and while I don’t have an image immediately available I have a copy of one of the components on hand.
Make that “partial image”.
I’m still trying to get used to this new printer/scanner and I was able to get only a portion of self-portrait time-line from that 1991 project. Hopefully I will quickly get that issue resolved and find a place that still can make a print from a 35mm slide.
…so why am I going to all this trouble? A couple of months ago I wrote that in the wake of not having my contract renewed at the college I was considering conducting workshops just as I did after leaving Nossi College of Art in 2010. I am considering a year-long series of on-line sessions documenting the creation of another allegorical artist autobiography, starting with the initial research and ideation through the construction and display of the final project. As I know just a smidgeon about the way media works on WordPress and even less about Patreon the project won’t be starting for a while yet – but I think it’s going to be fun.
I look forward to your comments and concepts!
This cut-paper sculpture figures prominently in a post I wrote a couple of years that was entitled 2003: Have You Ever Heard of an Artist Named David Deitrick.
(You’ll find information about the BEYOND INFINITY – the book it illustrated)
While rooting through old files today I found the preliminary sketch and I thought it would be kind of cool to show the two versions side-by-side. For both personal and professional reasons I’ve always put a lot of effort into my sketches- creating the final art is made much easier and it’s harder for clients to complain if the sketch they approved beforehand is meticulously followed.
One of the first publishers I encountered when stumbling into gaming in 1977 was Fantasy Games Unlimited. As an ardent H.Beam Piper // Lord Kalvan of Otherwhen fan I was delighted to score a copy of ‘Down Styphon!” in a Seattle bookstore and proceeded to read the covers off the book as we alternately drove up then down the Alaskan Highway that summer…so when I started freelancing full-time FGU was one of the first clients I pursued, even when publisher Scott Bizar apologized about the low rates he had to pay.
I ended up doing two jobs for him in 1986, the titles of which I have completely forgotten. The first was a book full of man-to-man combat rules that could be adjusted for various time periods and tech levels and this drawing was a preliminary sketch for a group of secondary characters that would end up about 1/3 the way up from the bottom of the cover. Unfortunately the original is long-gone as is the right half of this pencil drawing, which included a mail-clad Norman knight swinging in the same arc as the others.
I’ve loved the idea of sequential photos/images showing closely spaces stages of action. I first encountered the concept in the opening credits for the fourth series of The Avengers, also known as the first season featuring Dame Diana Rigg as Mrs. Emma Peel and the last season to be shot in black & white.
( A clip of those credits is at https://www.youtube.com/watch?v=2V–6WPKFtk )
One of the scariest aspects of ankylosing spondylitis is the effect it can have on vision. It’s all tied in with way A/S can mess with your immune system but to be frank the technical details don’t interest me as much as the physical symptoms. No one likes to have their vision impaired but for a visual artist blindness = death. As best as I can tell Iritis is the worst case scenario and so far I’ve dodged that bullet, but general photophobia is also common, and anyone who has known me for long is familiar with my ever-present squint, as documented by every photo taken of me from infancy on.
Sunglasses have been a godsend to me and at 66 I am close to blind in the noon-day sun without them. Sadly enough vision problems impact on my production as well – while LCD screens don’t take the same toll on my eyes that cathode ray tube displays did, I still have difficulty staring into a screen or working under a desk lamp for any length of time and sometimes that difficulty translates into a gap in posts for this blog.
…and yes, the title is a terrible, terrible pun.