More Workshop Stuff!

timeline photo extract

If truth-in-advertising laws applied to higher education only twelve of the thirty-six months I spent earning my Master of Fine Arts degree would judged as being worth the tuition I paid –  oh, I was busy all the time and made great strides in my work but that success was due primarily to faculty members from other departments, visiting professors and my own hustle. The regular tenured faculty members I had to interact with on a regular basis were less than effective – one professor in particular took great pride in scheduling office hours for the most inconvenient times possible in order to  (and I quote) ” avoid being bothered with those pesky students!”

….however there was one time when she actually did come up with a decent idea when she tasked the members of the graduate seminar to create a autobiographical allegory of our lives in a design motif. I came up with a pretty nifty solution to the assignment and while I don’t have an image immediately available I have a copy of one of the components on hand.

Make that “partial image”.

I’m still trying to get used to this new printer/scanner and I was able to get only a portion of self-portrait time-line from that 1991 project. Hopefully I will quickly get that issue resolved and find a place that still can make a print from a 35mm slide.

…so why am I going to all this trouble? A couple of months ago I wrote that in the wake of not having my contract renewed at the college I was considering conducting workshops just as I did after leaving Nossi College of Art in 2010. I am considering a year-long series of on-line sessions documenting the creation of another allegorical artist autobiography, starting with the initial research and ideation through the construction and display of the final project. As I know just a smidgeon about the way media works on WordPress and even less about Patreon the project won’t be starting for a while yet  – but I think it’s going to be fun.

I look forward to your comments and concepts!

Cathaphract

Cathaphract

…when is a cut-paper sculpture not a cut-paper sculpture?

 That’s a question I answered during the spring of 1989 while teaching an introductory illustration course at Kenai Peninsula College (KPC) in Soldotna, Alaska. One of the last assignments I had the class do illustrate an historical event using cut-paper sculpture. I had fully intended on working alongside the class members  and illustrating a cathaphract (armored horseman) from the Romano-British period  of the 5th century but got stalled on the concept and finished it off in my regular airbrush/paint/pencil illustration technique.

 This painting is the result. It measures 9″X12″ and was rendered on illustration board, I still wince a little when I see it – I had this great idea about using plastic window screen mesh for the chain mail but it would be another fifteen years before my cut-paper skills would be up to the task.

2019: Found Words

Art Appreciation was the class I was least interested in teaching when I first took on college art instruction in the fall of 1988, but as luck would have it was the class I taught most often and eventually my favorite subject to teach. Looking back it should have been no surprise as the course combined two of my academic loves (history and art) but I also enjoyed it for all the new information I picked up on technique and philosophy.

One concept especially interesting to me was the use of found objects – everyday consumer goods, packaging and cast-off items – in work by creators such as proto-Pop artist Joseph C. Cornel. I adapted a modified version of this idea in my own work by recreating combinations of everyday objects from wood, paper and resin and the general idea continues in my work to this day, but since I am more prone now to word-crunching than paint-sloshing I look for found words instead of found objects to use in artistic expression.

Many of these found words I’ve borrowed from foreign languages. While my two sons have been blessed with the gift of tongues, my own foray into linguistics has been tentative at best. I started with German in fifth grade after listening to Wehrmacht troops growl their Teutonic lines on Combat!  and college entrance requirements herded me into Spanish and Spanish II classes in high school. In 1974 my pride earned me a borderline B- in a university Japanese class but for the most part my use of other languages was an occasional word or phrase that added emphasis or humor when needed.

As a teenager and young adult most of those individual words were swear words, and not surprisingly many of them were bogus words that someone had invented1 then passed off as part of another culture’s lexicon. However in the last few years through the debatable miracle of FaceBook I have learned a couple of colorful terms so useful that if not actually part of another language should be declared to be so.

One is kintsukuroi,  a Japanese term that translates as “to repair with gold” and refers to the art or repairing pottery with precious metals with the understanding that the piece is more beautiful for being broken and repaired.  Growing up on a frontier meant using things until they wore out and fixing them when they broke and that mindset has stayed with me throughout my life. When we were first married My Beautiful Saxon Princess could never understand why I prized my patched Levi 501’s over my $502 designer Hash jeans with the star embroidered on the butt pocket. It wasn’t until we went through lean times of our own that she began to understand the concept when she saw how I treasured the cut-off jeans I wore every summer in the late 1990s, shorts that I wore not for comfort but for economy  when I took the money I would have otherwise spent on new trousers and used it in getting our sons launched in life.

Hiraeth is a term I’ve just recently discovered and as I understand it comes from the Welsh or one of the other Celtic tongues. It refers to homesickness for a place that you cannot return to, a place that no longer exists or perhaps never was. As we cope with a heat wave that is excessive even for Tennessee while our current society  warps more and more into a condition that I struggle to understand, this word comes to mind quite often, and I long for a place and time that is much cooler in both temperature and temperament.

As for crapulent; yes it is an English word, but is has a Latin root so I include it with my list of found words. I first heard it years ago on a Simpsons episode and while technically it refers to physical suffering from excessive eating or drinking it’s much too useful in describing a general dissatisfaction with daily life – when I wake up to find the last bit of milk left for my Trix has gone sour, my shoelace breaks when tying my shoes and there is a tax audit notice in the mail nothing describes my situation better than to say I’m having a perfectly crapulent day.

Unfortunately one found word that I wish I could un-find is cultural appropriation, a term used in a pejorative manner when referring to the use of words of items normally associated with another group, as in “only a Japanese person should wear a kimono”  or “only a Native American should do voice-over work for an animated Comanche warrior.” While I understand the importance for respect for all cultures I came of an age when more effort was put into being inclusive  rather than divisive – if certain current social trends continue I wonder if there will come a day when I’m judged too melatonin-deficient to love old school R& B or in possession of one too many Y chromosomes to be a true Joni Mitchell fan.

Whatever.

Until that day comes I will continue to borrow and tailor words from all sources to better communicate with and sometimes bring a smile to those around me.

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Notes:

  1. When I was in fifth grade I was convinced that my sister Robin had invented the word “barf” while my best friend Mark was convinced his older brother had coined the word.

 

  1. …which was serious money in 1977

1973: Main Flare

“How big are the bolts – and while we’re at it how many bolts are there? 12? 16?”

“I dunno Dave. I musta left my calibrated eyeball at home.”

I turned toward Lowell Dean; his red-head’s complexion and twenty + years in the New Mexico sun had transformed the regular features of the young man’s face into an unreadable map of creases and freckles but any scowl I may have glimpsed vanished in a flash. He growled on: “Don’t matter much what size they are – they still have to be changed out and I’d just as soon get ‘er done sooner than later!”

As for me, busting my knuckles with a set of wrenches was no sweat but working right underneath an actively roaring fire was…well, sweaty, and as usual it got me to thinking back at how I managed to end up in this situation.

…three months earlier

I had never anticipated the ending of a school year with as much relish as I did the Spring ’73 Semester at Ricks College. While I had performed well academically, my personal life had been a train wreck in slow motion as my engagement crumbled under intense pressure from my parents and family, and as I have written earlier the transition from the lax standards of a state school to an academic environment with strict dress, grooming and conduct expectations had been stressful enough to trigger hives at one point.

What had been just as difficult was the social stratification issuing from that part of the student population who’d grown up in upper- middle-class white-collar families. Overhearing comments like “It’s just the innate nature of some types of people – something they were born with that keeps them at that lower level” was difficult, but when proto-yuppies would twist scripture to justify social Darwinism (“the poor will always be with us”) my ability to suppress a vomit reflex was sorely tested. However, at this point, none of that mattered. I was home in Alaska and ready to lose myself in work for Chevron USA out at Swanson River.

“ I can’t hire you.”

It was one of maybe three times in my life I failed to have a witty rejoinder locked and loaded and I meekly drifted out of the oil-field office to the car and started the long trip home. I drove most of the way in silent shock: every summer since my fifteenth birthday I had worked through a truly amazing list of job titles starting with “janitor” and running through landscaping, grocery clerk, museum attendant, roofer and construction worker before hitting the jackpot by getting hired as a roustabout for Chevron at the Swanson River oil field the previous summer. Getting rehired was not an automatic thing but when I left the previous August there was no indication that I wouldn’t be asked back and I looked forward to at least four more summers slinging a 36-inch adjustable wrench.

The field foremanWayne had been vague about his reasons, and several times touched on federally mandated minority hiring quotas – and as the composition of the Swanson River workforce rivaled that of Ivory Soap1 I found it hard to fault him. Dad was much less forgiving and viewed the action as payback for his role in an unusually acrimonious contract negotiation earlier in the year. Personally I could care less about motivations – I needed money to go back to school so for the next eight weeks I bounced between rototilling gardens, mopping floors, clearing brush and stocking shelves until I was unexpectedly hired by a general labor outfit supplementing regular Chevron efforts out at the field (Translation: doing all the nasty jobs the regular roustabouts balked at doing.) The job drew a much more rough-around-the-edges kind of guy than usual, but I needed the money and showed up bright and early at the field the next morning ready to work with anyone.

I hadn’t been far off with my estimation: my foreman was a middle-aged Norwegian with limited fluency in English who pushed a crew consisting of an alcoholic ex-convict, a silent middle-aged man who never set down the same grimy June 19652 copy of Playboy, myself, and another young man named Lowell Dean. We rumbled around the field in an elderly winch-equipped crew-cab truck held together with wire and rust, while we periodically performing vital maintenance duties such as:

  • Collecting all the derelict barrels on the lease into one of three staging areas.
  • Digging post holes, then using cement to set welded pipe parking barriers in place.
  • Cleaning wellhead drainage sumps, which routinely contained dead animals.

I’d worked with Lowell Dean on a construction job two years earlier: he was from New Mexico and if not a literal cowboy was ‘cowboyish’ with that sunbaked look that comes from spending his life in a sunbaked locale. He was a couple of years older than me and took great delight in taunting me as a ‘college boy’ but we worked well together and were quickly made into a permanent sub-team trusted with more complex tasks …which is how we ended up at the main flare. The Swanson River operation pumps oil by gas-injection so there aren’t any ‘bobbing elephant’ pumps most people associate with oil fields. The oil is situated under an impermeable shale layer and is forced up by propane pumped down through holes drilled into the barrier, a process much like blowing bubbles through a straw in your milkshake. Oil from a dozen wells was then collected to a tank setting where it was measured, filtered, then pumped via another line to a terminal where it was sent on to the refinery at the coast twenty miles away. Each tank setting had a ‘flare system outlet’ flare pipe – a large diameter fifty-foot pipe that would occasionally belch fireballs of propane gas when system pressures had to be regulated.

….but the biggest and potentially most hazardous flare outlet was the main one located not far from the compressor plant that pumped the propane into the ground3. At some point in the past the bolts securing the bottom of the pipe had been changed out for a slightly smaller but very unsuitable size and had to be immediately replaced. The work order had gone to the senior production operator, who had passed it to his junior partner, who gave it in turn to the roustabout crew. Citing a heretofore forgotten trap-valve that suddenly needed replacing at the other end of the field, the Chevron crew drop-kicked the assignment to our company, where it made its way through the ranks, and finally came to a halt with the most junior crew, namely us.

 The ball kept on rolling: citing language difficulties, a hangover, and the mysterious loss of that battered issue of Playboy, the other three members of the crew begged off, which is why Lowell Dean and I were slowly creeping up to the flange at bottom of the main flare outlet pipe on that cloudy August afternoon. There was a moderate flame at the top of the pipe – nothing to get worked up about, but the power had been going out several times that morning with a major flare following each power bump, and we were both silently (but frantically) calculating frequency and average duration for flares that day.

Stress and my limited experience would normally bring on a severe case of fumble-fingers, especially when working with anything threaded or opened /closed with a wheel4 but this time around I was using those wrenches like a surgeon wielding a scalpel. It was a Zen moment –one of those comfortable grey days typical of a late Alaskan summer, momentarily freeing me of my eternal squint. The rumble of the compressor plant was surprisingly soothing, and we worked smoothly with no dropped tools, hesitations or wasted motion, completing the task in an unusually short time.

Packing tools, cleaning up, and backing the truck down the access road was anticlimactic until the moment we got back to the main road and a siren blared, announcing a power bump. Like a petrochemical nova the main flare blossomed into a fireball much, much larger than I had ever seen before, and I had to wonder if perhaps we had been in more danger than we’d imagined…or been told. Had we been in mortal peril? I doubt it – we may have gotten a little crispy around the edges, but the task had been more hazardous in anticipation than in actual execution. Still, I was just as glad the assignment was completed.

My near crisping seemed the perfect event to mark my exit from the abbreviated summer at Swanson River and the crew I’d worked with during those three weeks. As we bounced along the road to the change-shed I felt a measure of relief at the idea of parting company with my crewmates. Though rough around the edges, they had been a competent group, but I didn’t see any of them achieving much in life beyond this job. Maybe it was their innate nature, something they were born with that kept them at that lower level. Maybe some people were meant to be lower than others…

…and “son-of-a-bitch I cannot believe what I am saying!”

Growing up as a blue-collar kid in Alaska had always set me apart to some extent and I’d always imagined that added experience made me a little more capable and mature. After all I had shot my first moose at age eleven (keeping meant on the table for most of the winter), at fifteen I’d replaced a universal joint on a friend’s car, at seventeen I’d remodeled my attic loft, but at twenty I desperately wanted it to be someone else sounding as judgmental as the “ungrateful yuppie larva”5 I was attending classes with at school.

..but it was me. I had been just as prideful and arrogant, so maybe this crapulent summer hadn’t been all bad. I had been proud – maybe too proud – of my summer job at Swanson River. There were married men with families clamoring to get hired there but I had been little more than a punk kid treating my good fortune as an entitlement. When I eventually went back to work for Chevron three summers later I went with a much better attitude, but for the time being I resolved to avoid being judgmental…even about other people being judgmental.


Notes

1.  99 and 44/100 % Caucasian

2. I couldn’t fault him as the featured Playmate for that issue had a passing resemblance to Diana Rigg AKA Emma Peel from the ’60s British spy series The Avengers who I had quite the crush on when I was thirteen.

 3. It was quite a bit taller too. Production operators would normally use a burning rag tied to a rock to keep pilot lights lit at the flare outlets at the tank settings. For the main flare they had to use a bow and burning arrow.

 4. I still stand back and mumble to myself “right-tighty/lefty-loosey”.

5.A line shamelessly stolen from Dan Ackroyd playing Ray Stantz in “Ghostbusters 2”

2019: Workshops?

…so I’m thinking about doing workshops again.

Why am I thinking about it?

  • It could be the adrenaline rush that follows getting to the curb
  • We definitely could use the extra income
  • I miss the classroom environment and interacting with students

…or any combination of the above.

There will be one big difference – they will be on-line classes. As I still have much to learn about both Patreon and video production nothing is etched in stone at this point, but I will say that the cut-paper sculpture will figure prominently in the syllabus. In the past I’ve also held sessions on:

  • Marbleizing paper
  • Making custom folders and booklets
  • Basic model-making

Getting up to speed will also mean one or two practice sessions here at the house – workshops like the ones I did ten years ago. If you’re in the area and would like to sit in please email me – space will be limited. Any fees for these practice runs will very reasonable and I will provide certificates good for continuing education credits in selected school systems around Middle Tennessee.

En Garde!

You wouldn’t know it by my current profile, but I fenced in college – two years foil and one year saber. I did my best to continue the sport after graduation but other than weak jokes about replacing the rails and tightening the wire around the back pasture I found little interest among friends and family. As time went by and my waistline expanded I sold or gave away most of my gear so I was surprised to find two (each) masks, sabers and gloves while cleaning up the garage this last weekend.

Any thought of a clean escape quickly evaporated as My Star Pupil took notice of the equipment as well ; since that discovery we’ve had two sessions with the sabers. I decided right off that we weren’t going to just goof around and aimlessly smack each other – I’ve taped off a properly-proportioned-but-smaller piste on the shop floor  and we work on technique and terms before any Errol Flynn stuff.  He’s pretty sharp for a little guy and can remember the 2, 4 and 6 positions most of the time. Lori says she can still see a little bit of form in my movements but I tell her she is just watching me with her 1977 glasses….

… one step further along

As I wrote last winter I’ve never been happy with the Batgirl cut-paper sculpt that I put together five or six years ago so it should be no surprise that I am up to my elbows making a new version, based on the original sketch. As I was taking pictures my Beautiful Saxon Princess suggested that I make a video presentation about my technique…and I think it’s a good idea. I’m in the “baby-steps” stage of planning right now,  still researching video production and funding options like Patreon but it may be that this is the direction my teaching career will take now that I am no longer in the classroom.

…but for now I will share a snap of the work in progress, which starts with a drawing that I cut up to use for templates when making the individual parts.
CPSProcess1

Wheels!

Big day for my Star Pupil yesterday. Our next door neighbor Wes very graciously bought a bike for him at a local yard sale and the little guy has been in wheeled-transportation heaven since then.

It’s had me thinking back to my first bike and the incredible sense of freedom it gave me – my hunting grounds quadrupled in area by late afternoon of day one. It’s quite a different world now so I don’t think we’ll be quite was hands-off as my folks were, but it will still be interesting  to observe the impact two wheels and a chain bring about in Jaybug’s life.

I Am The Axe-Man!

Ax-man

Every weekend my Star Pupil and I try something new and this week it was use of an ax. It was a skill that really wasn’t on the schedule but a box of tools I recently gave him unfortunately included a sort of multi-tool-on-steroids that inexplicably included an ax blade…and as anyone with kids will  tell you glaciers can be moved by hand before you’ll get a five-year-old boy to change his mind about something like this.

After a safety briefing we spent about forty-five minutes in the shop chopping away and eventually produced the sundered one-by-two you see in this photo. The process could have been faster but one too many roadrunner cartoons convinced him logs literally jump into with one direct chop with an axe held straight on. I’d demonstrate alternate chopping at an angle but then he’d politely correct me and attempt to bludgeon the board in half.

We finally succeeded in parting the one-by-two and now he’s out with his mom visiting friends while I am busy hiding every other cutting implement before he gets back.

Music: Ghost of A Chance (Rush)

 

Teaching at Lincoln Memorial University was a good news/bad news type of situation. On one hand the school’s expectations weren’t too high, I had a tremendous amount of freedom in the way I handled my class and there were  a few fairly competent students. On the other hand the pay was terrible, the administration gave scant support and most of the art majors avoided my class because I actually expected them to work.

I just told myself I was fortunate to be teaching somewhere.

Capping it all was the miserable commute: while the school was located only 50 miles to the northeast there were several ridges and valleys to transit, and I spent as much time going up and down as I did moving forward. My schedule also had me returning to town in the middle of the evening rush hour which made the last 5 miles as tedious as the preceding 45.

It was a wet, sloppy evening in early November, I was tired and cold, and it was a strain to see through the rain and slow-moving traffic. Struggling to stay awake and alert, I turned on the radio and tuned into the local classic rock station – which like every classic rock station ever had a playlist shorter than a five-year old’s attention span.

I was surprised – instead of hearing the inevitable “Freebird” or “Stairway to Heaven” a young man was talking about Carl Gustav Jung’s theory of the collective unconscious, a topic which caught my attention in the same way dog whistle rattled a collie. I’d discovered Jung in graduate school, became intrigued with this work, and worked at integrating some of his concepts into my thesis project but just as I was piecing together what was being said, the speaker stopped, and the song he had been so long in introducing started to play.

Electric guitars shot out a very basic but compelling tune which repeated  like a car alarm, accentuating the tension and stress of the surrounding traffic. Negotiating this nerve-wracking commute had my pulse pounding so hard I could hear it in my inner ear and when a vocalist suddenly started to sing it took me a moment to hear past the thub-thub-thub.

Like a million little doorways
All the choices we made
All the stages we passed through
All the roles we played

 There was no mistaking that voice: Geddy Lee, which meant I was listening to the Canadian rock trio Rush, most appropriate for my situation as I didn’t have the soundtrack for Mad Max in my CD player. Lee continued to sing, his voice getting more forceful and strident:

Somehow we find each other
Through all that masquerade
Somehow we found each other
Somehow we have stayed

 Voice and instrument continued to build to a point of frenzy, then suddenly it was like cresting a mountain or going into free-fall:

In a state of grace

Languid guitar chords lead into a restful interlude devoid of the song’s previous intensity::

I don’t believe in destiny
Or the guiding hand of fate
I don’t believe in forever
Or love as a mystical state

 The cardiac pounding in my ear eased off as I relaxed a bit

But I believe there’s a ghost of a chance
We can find someone to love
And make it last
And make it last

Guitar chords echoed and a feeling of calm continued to envelope me, but then the chaos abruptly renewed with strident vocals and crashing guitar chords once more

Like a million little crossroads
Through the back streets of youth
Each time we turn a new corner
A tiny moment of truth

The quiet, calm returned:

In a state of grace

I believe there’s a ghost of a chance
We can find someone to love
And make it last

This time when the pattern broke  the lead guitar began an improvisational guitar solo that caused my heart to sing as well.  It  also helped me  tune out the lurching/honking/swerving and I was startled to find myself on the last leg from the freeway to my home, free of the tension and chaos of rush hour as the song returned from the solo to the calm of the dreamy interludes:

I believe there’s a ghost of a chance
I believe there’s a ghost of a chance
We can find someone to love
And make it last

…which transitioned into a measure or two of a slightly mournful, slightly wistful echoing guitars. I pulled into the driveway, turned off the engine and sat listening to the tick-tick-tick of the cooling engine. Rush was not a particular favorite group of mine; while I had respect for their talent and dedication, their music and their message usually did not resonate with me … but I had no doubt that at this point Ghost of A Chance was stealth scripture – truth given in an unexpected manner that would have otherwise been ignored, and at this very low point in my life it contained a very important message for me.

Tomorrow morning I would get up bright and early and face another week head on:

  • submitting job applications to colleges sure to ignore me
  • canvassing art directors who routinely told me I was too old
  • worshipping in a congregation that cornered the market on cliques
  • teaching students who regarded study as a process akin to hustling free t-shirts at a concert

….but right now as I walked in the door…

You know I read somewhere that the onion is a distant relative to the opium poppy. Maybe that’s why I felt calm and happy as I walked into the house,  maybe I was getting a contact high as Lori was browning onions in preparation for making soup, but I knew there was more to the warmth I felt. I drew it all in as I shelved my teaching binder and hung up my coat: music was softly playing on the stereo and my sons had their yearbook open, scoping out the young ladies while conducting a post-game wrap-up of the Oldest Game Ever. Wrapped in the warmth of my family I felt the very essence of joy.

It may be that life was getting the best of me, that the academic and creative arenas in which I fought daily were more than a forty-year man could handle, but as long as I had this wonderful home and family as a place of refuge I had a chance, albeit a ghost of a chance.


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“Ghost of Chance” Songwriters: Neil Peart / Geddy Lee / Alex Lifeson