It looks like pledges have leveled off a bit but that’s to be expected at this point in time. We’re not quite halfway through the campaign and I know several people (most of them family members!) that still intend on making pledges so there are still good things to come.
You may have noticed that whenever the dollar amount reaches an odd number it will shortly round up to the next five-increment (as in 122 mysteriously becoming 125). Well, I’m here to tell you that we have a superhero in our midst, a would-be X-man named 5ive whose mutant power it to transform numerical totals to the afore-mentioned five-increment. He’s registered under his secret identity’s name but out of respect for his privacy I’m using his code-name.
…and I’m also sharing an image of him out of my sketch-book.
Thanks again for your support. If you haven’t done so already please share the Midnight Son link with your friends and family.
Conventions were never a big money-maker for us. When we’d go to cons as a family ini the 1990s we’d run a table in the dealers room in addition to hanging work in the art show – and between the two we would normally cover at least our expenses – and sometimes more. One notable exception was DRAGONCON 1993 when we went $500 in the hole even though I swept the art show in three-dimensional work. However in spite that loss I was glad we went to the con because it was there I got to meet Duck Edwing.
Edwing worked for MAD magazine for 49 years, contributing his own cartoons as well as writing for Don Martin and Paul J. Coker. I loved his work and was fortunate enough to spend thirty minutes talking to him in the dealer’s room, but when we traded portfolios he got a little edgy when I started gushing over his work – I suspect that after seeing my polished cover illustrations Duck may have thought I was being condescending and it took most of that half-hour to convince him that I was sincere – I loved his cartoons because it was something I could not do.
Yes, you read correctly – I am not very good at cartoons. While it is true that the graphic nature of my work can often resemble a cartoonists’ style there is something about the economy of line and conceptual precision that I’ve never been able to master and I usually end up overworking any such attempt, but last week I decided to try again – not with cartoons per se, but with a cartoon style I’ve found in a line of toys.
In the mid 00’s superhero merchandizing was overcome with an epidemic of cuteness. Marvel came out with a line of whimsical versions of their heroes called Superhero Squad while DC came out with a similar line of figures in a tie-in with the animated series Batman: The Brave and The Bold. That connection along with a more stylized look had me favoring the DC figures over Marvel line and I was quite pleased when Mattel continued the line under the Action League banner.
A non-functioning knee has in effect exiled from my second-story studio for almost a month now so my creative work has been limited to drawing tools and designer’s markers. I was putting the finishing touches on a postcard for my granddaughter Heron when I happened to glance at one of the aforementioned DC figures sitting on a shelf next to my Big Papa Chair.
I ended up drawing three figures – and while I used existing figures for reference I drew characters that have NOT been manufactured as part of the toy line:
- Adam Strange
- Blue Beetle
In each case I went “retro”: Adam Strange is wearing his original Murphy Anderson designed rocket suit, Blackhawk is wear the short-lived mid-60s red-jacketed uniform and Blue Beetle is my favorite Ted Kord incarnation…which I’ve subsequently discovered had actually been created but never actually released as a part of the Action League series. I don’t know if anything will ever come of these drawings, but it was a good exercise in developing a more stylized “cartoony” look without getting too cutesy.
I read once that time is something God created to keep everything from happening at once but right now that invention doesn’t seem to be working. Everything IS happening at once, at least several items of great impact on my life. Right as we’re trying to get the Midnight Son Kickstarter campaign set up my knee has gone out – and not in a minor manner. Lori thinks I have a torn meniscus but all I know is that even the most minor movement to my knee brings on excruciating pain.
…which means I haven’t been able to finish the tongue-in-cheek write-up meant to accompany this “vintage” drawing that incidentally documents two important discoveries/purchases I made in 1972:
- A hard-bound reprint collection of Batman stories from debut in 1939 to 1971
- A set of Higgins ink comprised of ten colors and opaque white
I’d just finished my first year of college and while I was intent on changing my major to art I had yet to take a college art class – or any other kind of art class for that matter. I was just having the time of my life drawing my favorite images, which in this case included 1940’s era Bat Vehicles
I first met Lance Nelson – albeit in passing – at an LDS youth conference held in 1968 in Anchorage Alaska. Three years later we were classmates at the University of Alaska (Fairbanks); six years after that we were classmates at BYU with wives bearing similar names (Laura/Lori) and soon after children of very similar ages. Lance is one of the few people that can call me Dave with any authority and has proven to be a solid friend in every way.
…which means his kids are like niece/nephew to me. Recently his son Taylor found a wife of his own and I drew this picture of the Marvel hero NOVA for them as a wedding present. I’m not completely up to speed on either current Marvel comics or the Marvel Cinematic Universe so I worked up a version of the Nova Corps uniform from a dozen years ago.
Technical notes: Designer’s markers, colored pencils and gouache on paper mounted on presentation board. The inset graphic design motif was cut from a piece of marbleized paper I made and attached with Series 77 spray adhesive.
(…not exactly a Re-Run Saturday, but definitely an older creation.)
I was quite surprised the first time I encountered the melodramatic Boy Scout version Batman from the 1950’s. The creative collision came about late in 1964 in an 88 page Giant full of older stories that were quite a bit different from the tightly written, masterfully penciled New Age Batman and Curt Swan World’s Finest stories that had first drawn my attention. I didn’t quite know how to deal with story elements such as:
- Ace the Bat-Hound
- A Batwoman and Batgirl with clutch purses and masks resembling our school librarian’s glasses
- A Batmobile resembling an inverted goldfish bowl on wheels.
Camp elements just got “campier” with the 1966 Batman TV series and I found myself slowly easing over into the Marvel and Charlton circles until some of the Dark Avenger flavor started to return with superstar penciller Neal Adams.
Years later I find myself not quite so critical – as I get older and the world gets more and more chaotic I find myself more accepting of the pure escapism found in those Bat-titles from fifty or sixty years ago. I like the idea of a world where an middle-aged of debatable athletic ability can don a set of mauve leotards and instantly become a vigilante hero. As my protesting knees and back plot to confine me to a sitting position I become more and more accepting of a world where no one ever gets hurt very badly during fights and the good guys always win.
I also look back at the creators with more respect. Contractually the name of series creator Bob Kane figured prominently on all the covers, but I soon figured out that the best work came from associate Dick Sprang. Sprang’s “perfect storm’ of creativity combined strong design skills, wicked caricature and a compelling sense of narrative that put him head and shoulders about all the other members of Kane’s artistic stable. I particularly enjoyed the facial expressions he drew and literally triggered a “charley horse” in my cheek when trying to match the gloat of one of his penciled villains.
Below are two figures taken from my 2012 sketchbook, figures drawn after the manner of Dick Sprang a gesture of creative respect. I came up with the basic concept while getting stuck at a red-light (my best ideas seem to always happen at traffic lights or bathtubs) and somehow came up with a plot thread about time-travel back to the Napoleonic era.
As I wrote last winter I’ve never been happy with the Batgirl cut-paper sculpt that I put together five or six years ago so it should be no surprise that I am up to my elbows making a new version, based on the original sketch. As I was taking pictures my Beautiful Saxon Princess suggested that I make a video presentation about my technique…and I think it’s a good idea. I’m in the “baby-steps” stage of planning right now, still researching video production and funding options like Patreon but it may be that this is the direction my teaching career will take now that I am no longer in the classroom.
…but for now I will share a snap of the work in progress, which starts with a drawing that I cut up to use for templates when making the individual parts.
No need to dig out the old Hanna-Barbera VHS tapes – there is no “Jadex” among the Herculoids, at least anywhere outside of the Deitrick household. My Star Pupil and I spent last Saturday morning doing what Saturdays were made for: watching cartoons. We spent a lot of time with the old H/B action shows like “Herculoids”, “Jonny Quest” and “Space Ghost” and once I was able to muzzle the internal critic complaining about the absence of all three Laws of Thermodynamics we had a good time
We were at most seven minutes into our session when it became evident the team needed an extra member bearing a strong resemblance to my Star Pupil.
Sculptors are the bikers of the art world : brash, strong-willed and you’ll rarely find one that will concede anything to another artist…which makes this post a bit unusual. I recently commissioned a custom action figure from Jay Sabich at 37 Custom Toys and I have to tell you he does Grade-A work and I would be hard pressed to match it.
The figure depicts Rogue from the X-men wearing the red & black uniform she wore in the pages of X-TREME X-MEN, a look that I prefer to her regular green/yellow aerobics instructor look. TOYBIZ released a figure in that uniform in 2006 but unfortunately they gave her that anorexic look that was so popular for female figures of that era,
(…or as my daughter said at the time “I just pretend they’ve been very, very sick)
This figure has also been done in the whimsical style of the old Justice League: International figure line which in turn was based on the animated series of the same name. It’s also been done very, very well and you’d be hard put to distinguish it from a factory figure. The sculpting is crisp, and the surface finish is understated and uniform. I usually keep my figures stored away but this young lady has a place of honor on my desk.
If you’re interested you can contact Jay at 37 CustomToys on most social media platforms or you can email him directly at capmarvelfan@yahoo. Please check his work out and do business with him if you can. He’s a little guy competing with the corporations and he deserves the support.
Things were looking pretty grim for the Caped Crusader in the fall of 1963. The familiar Caped Boy Scout image that had seen him through the Superhero purge of the Fifties1 had started working against him driving sales so low that all of the Bat-titles were facing cancellation. Fortunately Batman was given a last-minute reprieve in the form of new editor Julius Schwartz – the same fellow who had successfully relaunched the Flash and Green Lantern into Silver Age versions.
Julie made some changes – after learning that a simple bat shape was too generic for a trademark he added yellow oval to make it a more complete – and more marketable – logo. Most importantly he instituted a “New Look” for the bat-books by bringing on board comics superstar Carmine Infantino as the penciller for Detective Comics starting with issue 327 “Mystery of the Menacing Mask”. ‘
There were other changes and improvements:
- Bat-themes associates (Bat-mite/Batwoman, Ace the Bat-Hound) were shown the door.
- Costumed super-criminals were conspicuously close to a year ”
- Aunt Harriet replaced Alfred the Butler
- The bubble-top Bat-Cadillac was replaced with a convertible sports car model
- The Bat-signal was replaced by a telephone hotline similar to the one connecting the White House with the Kremlin in real-life.
….but the biggest change was in the stories themselves. Instead of Gotham City serving as the crossroads for every itinerant alien in a saucer or stories featuring bat-uniforms constantly changing colors, shapes or themes Detective Comics now featured (wait for it!) DETECTIVE STORIES! Plot-drived who-dunnits that challenged your intellect and bore up under repeated readings, all of which pulled me into the superhero comics world in major way.
At approximately eighteen months in duration the New Look was a very short phase and was sadly replaced by a camp version reflecting the ABC Batman series starring Adam West and Burt Ward. Oddly enough the television show was based on the 1950’s “goofy” Batman image that Schwartz had worked so hard to purge. At we got through eighteen months of a more realistic version and who knows – would Neal Adams have gotten permission for his darker more realistic version of Batman in 1970 if the New Look had never happened? Who knows?
This sketchbook image happened yesterday after I spent an hour or so reading a hardbound collection of Carmine Infantino’s New Look pencils. I have so many favorites when it comes to Batman artists: Dick Sprang, Neal Adams, Marshall Rogers….but in the end Mr. Infantino is my favorite.
1: See upcoming post: “Seduction of the Stupid”
I’ve lost count/track of all the reboots in DC Comics during the last couple of years, reboots that have been mildly disappointing in that a character I am following will either disappear or change beyond recognition. Such was the case with the disappearance of the Stephanie Brown version of Batgirl dating from earlier in this decade. Not wanting to see the character completely disappear I decided to create an image of her for my studio – and since I like more light-hearted books like Amanda Conner’s work on Power Girl I came up with the composition pictured below.
The failed romance between Batgirl and Bat-mite depicted in Unrequited is something that would fit in the aforementioned books but as I was comparing the finished art is on the left with the preliminary sketch to the right I realized that this was another case where I liked the sketch much, much more that the finished art.
There is something magic in a sketch – a promise of good things to come, a promise that is not always kept. Fortunately with my cut-paper work a do-over is relatively painless …and Unrequited is definitely headed for a do-over.
I think this time I am just going to scan up and work directly from the Batgirl sketch…