As much as I love Fireball XL5 I have to admit that it was one of Sir Gerry’s earlier “sophomore” efforts and definitely aimed at young children, so there were often some rather broad liberties taken with actual science as in spacecraft speeds and most especially extra-vehicular activity.
(Even Sylvia Anderson groaned during an interview years later over the subject of “oxygen pills”.)
Well, this drawing will hopefully address some of those problems as I’ve incorporated aspects of the thruster packs with a life-support suit styled after the original pointy-shouldered World Space Patrol uniforms. The image is based on a sketchbook drawing I shared here a couple of years ago but there are two very important additions: The first and most obvious is the clear Plexiglas helmet while the second is the unit Steve is wearing on the lower right side of his harness used with the round disk held in his right hand – an “oxygen pill”
I’d like to say that I was the first one to think of a breathing unit based on an solid-form air supply but Wally Wood used it first in an updated SCUBA rig in his excellent apocalyptic adventure series M.A.R.S. PATROL /TOTAL WAR published by Gold Key Comics in the 1960s…but to be totally but to be totally fair Wally did some “borrowing” as well.
For several decades the United States Navy has used a breathing device that uses heat combined with potassium superoxide and sodium chlorate produce oxygen for personnel in fire-fighting operations. While it’s I’ve taken my own liberties with science in terms of the size and duration of the chemical air supply I think it solves the “Oxygen Pill” issue with a minimum of fuss
He gave us orcs, ents and halflings but I’ve always thought the phrase ‘the story grew in the telling” to be one of the most magnificent creations John Ronald Reuel Tolkien gave to the world. For me it neatly describes the convoluted trails the process of creation can follow…and my reimagined Lieutenant Ninety is an excellent example of that concept.
As I’ve written elsewhere FIREBALL XL5 is the Gerry Anderson program that I will always love the best. I’ve designed new vehicles and uniforms that echo the classic design and I’ve even compiled a list of suggested actors for a rebooted live-action series, but as I was reviewing that list it occurred to me that I’d come up with a group of people similar in composition to Ivory Soap (99 and 44/100 Caucasian). That prompted me to make some changes, not as a measure of political correctness but to stay close to Sir Gerry’s vision which was much more diverse than usual for the times.
…so out went Rob Schneider and in came Chris Rock.
I also wanted a dress uniform for the World Space Patrol and was favoring the long-tailed mess blues that the United States Army used up until recently, but it was a photo of Levar Burton as LT Geordie LaForge wearing that contrived piece of craptacular tailoring that passed for a Starfleet formal dress uniform that snapped the last creative Lego in place for me – add an outsized fedora and a couple of chains and –voila – you have a zoot suit.
It’s a concept that might not be all that far off as what goes around usually comes around. I swore in 1973 that I’d be wearing bell-bottom pants for the rest of my life, and I’ve seen halter-tops cycle in and out of women’s fashion a couple of times. Who’s to say that a “reet pleat” won’t be the height of military fashion in 2119?
I read once that time is something God created to keep everything from happening at once but right now that invention doesn’t seem to be working. Everything IS happening at once, at least several items of great impact on my life. Right as we’re trying to get the Midnight Son Kickstarter campaign set up my knee has gone out – and not in a minor manner. Lori thinks I have a torn meniscus but all I know is that even the most minor movement to my knee brings on excruciating pain.
…which means I haven’t been able to finish the tongue-in-cheek write-up meant to accompany this “vintage” drawing that incidentally documents two important discoveries/purchases I made in 1972:
- A hard-bound reprint collection of Batman stories from debut in 1939 to 1971
- A set of Higgins ink comprised of ten colors and opaque white
I’d just finished my first year of college and while I was intent on changing my major to art I had yet to take a college art class – or any other kind of art class for that matter. I was just having the time of my life drawing my favorite images, which in this case included 1940’s era Bat Vehicles
While shuffling through YouTube the other day I found this CGI adaptation of Fireball XL5. HarborsidePress LLC has produced a first and second half of the Granatoid Tanks story along similar treatment of the Planet 46 episode. All four offerings are a qualified success; it’s incredibly cool that someone would rework Fireball but there are several aspects of the production that have been done better.
While I kind of like the jet-bikes it’s a given that I am going to prefer my own reboot designs , and Venus’ clothing feels more like off-duty dress than a uniform. There are serious problems with both the structure and animation of the faces but in Harborside’s defense no one has come up with a decent treatment of a human face working through speech.
Again – a color version of a drawing that I’ve shown here in the past as a black & white image: My version of Venus from FIREBALL XL5 with some “tweaking” in both appearance and ability.
(It occurs to me that in our current socio-political environment someone could assume some sort of sordid intent with my use of the word “tweak” but please be reassured there is no ulterior motive.)
There’s a bit of challenge in maintaining uniformity in the XL5 crew (especially after you’ve seen color photos) so I kept the good doctor’s green jumpsuit but gave her a pointy-shouldered jacket to match Steve Zodiac’s uniform.
It also seemed a perfect situation for my beloved Trap-Jaw palette comprised of the tropical magentas/oranges and turquoises of that particular He-Man adversary. However, I was putting this together it occurred to me that those colors just a matter of horking from Filmation’ s color choice – some of those colors can be found in vivid sunsets of both dawn and dusk in Alaska.
…and there’s yet another influence, one that I thought I’d imagined for years – a toy set called Hamilton’s Invaders that was on the market for the blink-of-an-eye in 1964. It also used colors like chartreuse and turquoise found in my “Trap-jaw Palette” and while print advertisements were the only presence Hamilton Invaders had in the Last Frontier, what I saw was intriguing enough to have a permanent aesthetic influence on me.
The only thing better than the stuff Sir Gerry Anderson and his crew thought up is tweaking the details. I love retro-designing vehicles and costumes and when I was dusting some of my “trophies” in the sitting room I got the idea for a uniform for the Moonbase ladies had SHADO been organized in 1908 instead of 1980.
This post is not exactly reeking in Christmas-osity but I wanted to share the latest installment of Dog King John & the Stolen Syrup.
Merry Christmas wishes to you all!
Tesla Strong, daughter of science-hero Tom Strong and a rugged science-hero in her own right. Tom Strong is a creation of Alan Moore/ Chris Sprouse and appeared in America’s Best Comics, part of DC’s Wildstorm imprint. The books ran through most of the 2000s and are among the best comics of the new millennium.
Additional references can be found at:
This dates from back when we were house-sitting for my parents in Sterling in the late 1980s. I sold the original years ago but I think it measured about six inches on the vertical side.
As for inspiration there are three things going on here:
- I’ve always liked the way Val Paul Taylor works Pacific Northwest themes into his work – Val and I were classmates for one all-too-short years at BYU.
- I’ve been a fan of alternate history since Kirk Mitchell’s Procurator series in the mid-Eighties and I take great delight in designing arms and equipment for “What if” scenarios.
- While the Kenai Peninsula art “scene” had opened up immeasurably since I left home in 1971, it was still very much dominated in 1988 by touristy themes such as moose, mountains, the Northern Lights and PUFFINS!
We couldn’t go anywhere without running into paintings of puffins….
I’m not the first artist to hide Easter Eggs in work, but I think I might be in contention for the title of “most obscure reference.”. Take the nice little pen & ink drawing I did in the summer of 1988 depicting a British tank crew on the Western Desert ca. 1941. In the foreground is the commander sipping a mug of tea, in the background was an-obviously-recently-shot-down pterodactyl and on the hull of the tank itself is painting the Cross of St. George.
Unfortunately it all worked out the way a visiting friend predicted: ” Nice drawing but no one will get the reference”
Today’s drawing falls into much the same category…
Never mind the fact that the idea has been retro-designed to approximately TL 1939…