Bladeship Model

bladeship

I designed the bladeship to be Starfleet’s primary Special Operations support vessel – a concept that kicked off a short but brisk discussion that recently spread across WordPress and Facebook.  Essentially an SR-71, an AC-130 and a submarine rolled into one ship, the bladeship was central to an (unfortunately) unpublished special operations supplement I wrote for FASA’s Star Trek role-playing game back in the day. The fact that at the time I was also serving as the battalion S2 (intelligence) for the 1st battalion, 19th Special Forces Group (ABN) UTARNG was most definitely a factor in the whole project

The aforementioned discussion got me thinking about all the work that went into the project and how it could be of enough interest to support a couple of posts. Unfortunately, I started the original bladeship project thirty-four years and seven houses ago, and as I learned in the army “three moves equal one fire” …so I’ve essentially been burned out twice since 1985.

I still have  some “stuff” left, including this Styrene and Bondo ® model built in scale to the original AMT USS Enterprise model. As I think about this I’m pretty sure I’ve already written a post or two  about the bladeship but A) it’s been awhile and B) the pertinent files have proved to be elusive.

Jadex: Newest Member of the Herculoids

JadexHerculoids

Relax!

No need to dig out the old Hanna-Barbera VHS tapes – there is no “Jadex” among the Herculoids, at least anywhere outside of the Deitrick household. My Star Pupil and I spent last Saturday morning doing what Saturdays were made for: watching cartoons. We spent a lot of time with the old H/B action shows like “Herculoids”, “Jonny Quest” and “Space Ghost” and once I was able to muzzle the internal critic complaining about the absence of all three Laws of Thermodynamics we had a good time

We were at most seven minutes into our session when it became evident the team needed an extra member bearing a strong resemblance to my Star Pupil.

XL5 Rework…with color added

xl5colorrework

I ran the black-and-white version of this drawing in 2016 but never got around to adding color. I’ve yet to decide if it was artistic vision that prompted a white fuselage or if I was just to lazy to work up all the reflections and shadows in a metallic look. I’m also not totally sold on the inset Gemini-style windows in Fireball Jr. Even as a ten year old I had a hard time buying off on a big bubble canopy but this configuration seems awfully cramped.

UFO: 1908 Moonbase Commander

The only thing better than the stuff Sir Gerry Anderson and his crew thought up is tweaking the details. I love retro-designing vehicles and costumes and when I was dusting some of my “trophies” in the sitting room I got the idea for a uniform for the Moonbase ladies had SHADO been organized in 1908 instead of 1980.

2018-12-03 UFO Moonbase 1908

 

 

Unto the Third and Fourth Generation

Working with my Star Pupil doesn’t always entail slaving over the drawing board. This picture documents one of the many breaks we take in between drawing and sculpting,  though you could refer to this as yet another study session.

Art history –  because we are analyzing a classic television program…

Unto the third and fourth generation

I definitely I learned a lot from this session – as in discovering  the degree to which my hair has gone  thin and white…

Star Trek: Generation X

Re-run Saturday: The controversy surrounding Star Trek: Discovery has made this post as pertinent as ever. Even back in the fall of 1987 I had to wonder why Gene Roddenberry and company just didn’t start over with a new series/clean slate, but I’ve since learned that licensing issues are at the heart of the problem. Creators don’t want to be constrained by canon but they want to capitalize on the built-in appeal of the original series. Something-something about having your cake and eating it too.

David R. Deitrick, Designer

 

(This doesn’t have nearly the bite it did when I first wrote it almost 20 years ago. It was a little harder to get material “out there” in 1995 than it is now and while every editor that read it liked it, they were all too leery of Paramount’s legal department top publish it, notwithstanding the court’s support for fair use via parody/satire.)

 

Reporter #1

Paramount Studios announced that it has taken the unprecedented step of re-filming its most recent Star Trek feature film in a form more marketable to a particular target audience.

 

Renamed Star Trek: Generation X, the film was repackaged in response to lagging sales in licensed Star Trek properties among consumers in the 19-28 year-old age bracket. Recently, our reporters visited the set and spoke with Executive Producer Rick Vermin.

 

(Cut to movie set)

 

Interviewer #1

Mr. Vermin, there has…

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Amazon Review: Star Trek/Legion of Super-heroes Cross-over Book

TrekLSH Cover

Despite their common use of  visual communication comic books and television shows are not always a good mix. While it is true comic adaptations can work well enough, the product of mixed genres can quickly become as corny and contrived  as the classic 70’s SNL skit What If : “What if the pioneers crossing the plains had to fight dinosaurs but the Man from U.N.C.L.E. went back through time to help them out”?

Luckily the DC/IDW Star Trek /Legion of Super-Heroes cross-over book avoids that trap. Jeffrey and Philip Moy have succeeded admirably in blending the  intense  color and dramatic styling of a superhero book with the late 1960’s visual splash of the original Star Trek series.  More importantly Chris Roberson’s plotting and dialog fits neatly into either books’ universe and he includes just enough fan-favorite Easter Eggs  from both properties to treat  the reader without being patronizing.

…and I will die a happy man after seeing Brainiac 5 and Mr. Spock quibble.

All in all it was a very readable book. I’d planned on stretching it by reading just once chapter at a time, but I had so much fun I got through it all in one night and was left wishing there were at least four more volumes in a series after this one.

The Star Trek/LSH book makes a pretty nifty addition to any  graphic novel library and I highly recommend it. If pressed to make a complaint it would be that I didn’t get to work on the project myself (I painted the dealer-incentive covers for IDW’s Wrath of Khan adaptation) As both a Trek and Legion fan I would have settled for $67 and an old hockey trophy for a chance at working on some as cool as this book.

Amazon Review “The Protectors”

(I make no secret of the fact that I am a fan of Sir Gerry Anderson’s work, both live-action shows like UFO and the Supermarionation programs like Thunderbirds.  The following is a piece I wrote for Amazon reviewing one of his lesser-known productions)

We don’t go out to eat often but when we do there is always a lively discussion involving restaurants and menu selections. My Beautiful Saxon Princess is a gourmet, savors her meals and is quick to try new tastes. To me food is fuel and I’m not one to experiment –when I acquire a taste for something like a cheeseburger I’ll order it quite often and feel no need to change.

It’s a similar situation with The Protectors, a Gerry Anderson production that offered neither marionettes nor nubile young women wearing purple wigs and silver suits seemingly applied with spray paint – it’s definitely an acquired taste. Starring Robert Vaughn, Nyree Dawn Porter and Tony Anholt, The Protectors is one of that vanished breed of television programs that the British did so well: The half-hour action adventure series. It ran from 1971 to 1973 and  chronicled the activities of a loose network of agents that travelled across Europe fighting crime, defeating terrorism and generally being twentieth century Lone Rangers.

With only 22 minutes to work with there wasn’t much time for character development, though we did know that Harry Rule (Robert Vaughn) still cared very much for his ex-wife, Nyree Dawn Porter’s Contessa enjoyed the privileged life of widowed nobility but also held a very subtle candle for Harry Rule, and Tony Anholt managed to show loyalty and likeability though the façade of Paul Bouchet’s Gallic pride. Despite their brevity the stories were engaging , with occasional innovations in plot and camera work that were pioneering for early Seventies. For example the  pilot episode involved sky-diving but there were some interesting shots made via car mirrors that focused your attention in a very effective albeit low-tech manner.

If I had a complaint it would be budget. Sir Gerry wasn’t given much to work with and money was cut even further with the second series, causing the loss of the strength and wit of the Contessa’s chauffer Chino (played by Anderson regular Anthony Chinn).  Directors were also careful with location shooting, limiting Continental segments to Copenhagen, Paris, Venice, Malta or coastal Spain. At  each of these locations the crew would film exterior footage for several episodes then they would fly back to London for interior filming and editing. To the producers’ credit they spaced the shows out avoiding back-to-back adventures in the same city, but on a rainy day you can zip through your DVDs and piece together what was shot when. I particularly enjoyed the location shots as they let me see the real Europe rather than an idealized version as portrayed in shows like The Avengers that were tailored to appeal to what Americans thought the UK was like rather than how it really was.

So now we’re down  to my regular closing question: Does The Protectors consist of the finest visual literature?

No.

Is it fun?

That would be a resounding, echoing “YES” – but a qualified “yes”. The Protectors might not be everyone’s favorite, but if you have an appreciation for well-written short form video, a desire to see an honest glimpse of Europe forty years ago, or have a hankering to hear Robert Vaughn  deliver dialog in the way only he could, then The Protectors is the cheeseburger for you.

(Episodes of The Protectors are available from Amazon in both DVD and streaming format. YouTube clips are pretty sparse but I managed to find one episode – not my particular favorite of the lot but enough to give you an idea of what the series is like.)

Thank You, Gareth Hunt

NewAvengersTV

With chronic pain issues, sleep does not come easy to me, so I find that most of my television viewing happens late at night. There’s been some debate on the practice with most researchers coming down on the side of “NO” but I find that spending some time with Mike, Emma, Harry and Steve helps me simultaneously unwind from the tensions of the day and focus my attention away from the endless discomfort.

Mike, Emma, Harry and Steve?

Try Mike Gambit, Emma Peel, Harry Rule and Steve Zodiac – all characters from classic British adventure programs like the Avengers, The Protectors, and the dozen or so programs like Fireball XL5 or Space 1999  produced by Gerry Anderson, also a product of the United Kingdom.  While I thoroughly enjoy various domestic American classic television shows I find this particular group of British programs from the 1960’s and 1970’s to be (pardon the weak joke) just my cup of tea.

…but something else hit me last night as I turned off my little bedside DVD player. I had been watching one of the last episodes of The New Avengers and for some reason the thought occurred to me “No one intends to make only thirteen episodes of a TV series”. Everyone hopes that their show will be the next M*A*S*H or The Big Bang Theory with at least a decade-long run. Nobody plans to fail – but it happens.

For example – take The New Avengers in 1976-77.

I won’t say the show failed, but it wasn’t a smashing success either. It did gain enough of a cult following to generate brisk DVD sales when A&E released sets of both seasons in 2004.  It was put together by Albert Fennel and Brian Clemens, the producers of the original mid-60s series but New Avengers got much the same reaction as the younger sister of the hottest cheerleader in school – it was judged by an impossible standard. The show was always struggling for money and because of that it had to move production twice, first to France and then to Canada – which confused viewers even more so the show never made it beyond two seasons of 13 episodes apiece.

…but I like it, for the same reason I like my other “Brit” programs. The plots are interesting, the dialog witty and the “stronger” elements of the shows (sex and violence) stay within my comfort level. Bear in mind that genealogy on both sides of my family very quickly traces back to the British Isles so there is a family connection of sorts for me. It also gives me a chance to see a part of the world that I am intensely interested in but ever less likely to visit as time goes by.

However, it is the human element that interests me the most. In my creative career I have worked on several properties (belonging to both other parties and myself) that gave all the indications of being extremely successful…but weren’t. It’s hard to deal with; for example I spent most of 1996 devoting all my spare time to a proposal for a line of collectible figurines to be sold in gift and card shops.  The idea involved ethnically diverse mermaids based on sea creatures from those pertinent ethnic areas and I shopped it around to a dozen companies which was no mean feat in pre-Internet days. The project was well-received and garnered many compliments for the concept and quality but it was ultimately turned down – -everyone wanted a pre-sold property with a book series, television show or toy line already in place.  They all wanted to lead from the middle of the pack so that by appealing to the lowest common denominator they could avoid any risk.

It was hard to accept and I had to move on with my life – but as I was looking at The New Avengers DVD case the other night I had an insight. I had just watched one of the last episodes in which the character Mike Gambit is trailing a suspect. Even though at the time Gareth Hunt knew the show wasn’t going to continue, he turned in a solid professional performance – and I really had to respect that. I also felt a bit of kinship as well:  While shows like The New Avengers, The Protectors and UFO have their own set of fans, they are quirky and definitely do not appeal to the lowest common denominator…but their creators still gave their best.  .

I understand that better than I did when I was young – and while most of those creators have passed on, I still feel like they deserve some recognition for their creativity.

Thank you Mike, Emma, Harry and Steve…or should I say Gareth Hunt, Diana Rigg, Robert Vaughn and Paul Maxwell  – and the series’ creative teams – for giving your best shot despite the outcome.