A Different Perspective on Fireball XL5…

2019-10-04 VenusZuniRevision

Granted today isn’t a Saturday and even though some of what follows has previously seen print, what I’m writing today isn’t really a Saturday morning re-run. It’s no secret that I am a big Gerry Anderson fan and of all his productions Fireball XL5 is my favorite …but as I check my stats each day it appears that the adventures of Steve Zodiac and company are highly favored by a sizeable number of my readers as well.

…and as it can be a little difficult at times to pick out all the XL5 blog posts I’m putting together a dedicated portfolio for the topic with a link on my blog’s task bar to make it easier to access. The portfolio will include most of the polished conceptual work I’ve come up with along with selected text – including this rework of a Fireball XL5 review I did for Amazon.com several years ago:

 Fireball XL5 is one of Sir Gerry Anderson’s earlier “sophomore” shows produced before he hit it big with Thunderbirds and the prime-time live action shows like Space: 1999. It is not nearly as well-polished; indeed most commentaries refer to it has possessing a “naïve charm” but out of all his work it is hands-down my very favorite.

 Why?

 Great music: If the opening credits aren’t the best ever in the history of broadcast TV then they should at least be in the top ten. Classical brass orchestra music underlies Steve and Venus boarding the ship, then as the engine fires up the music breaks into a dirty bad saxophone measure as it accompanies Fireball as it is hurtling down the launch track and leaping into the sky.

  All ages appeal: I can share these shows with my grandkids without them getting either terrified or bored. There are lots of explosions and action, but any suspense in an episode is usually brought on by some sort of count-down rather than having some psycho armed with an ax chasing people through an old house.

Great eye candy: For the conditions under which it was filmed, Fireball XL5 is visually stunning. Even though I liked the stories the budding artist inside of me was fascinated with the design aspect. Despite the slim budget the quality of their work made it very evident that the model makers and special effects crew would be going on to bigger and better things – most big-budget work like the Bond movies

Positive message: As I mentioned before, Fireball XL5 doesn’t leave kids scared at the end of the episode. These shows were pre-Star Trek and pre- Lost in Space and at that time most other science fiction on the tube consisted of the rare ‘50s sci-fi movie shown at odd hours – and to be honest I didn’t care for most of those shows. The plots usually revolved around the monster (there was always a monster) killing and/or eating the secondary characters one by one until the hero saved the remaining crew members by killing the monster.

None of that victim crap with Steve Zodiac. First off, Fireball XL5 (the ship itself) looked, flew and fought like a freaking F104 Starfighter rather than wallowing around helplessly like most other cinematic spacecraft at the time. Colonel Zodiac wasn’t above packing heat himself and dropped more than one alien foolish enough to try and see who would blink first – though I found it odd that his sidearm was extremely versatile, being able to fire any kind of ray or projectile the script required in a particular scene.

The only problem I had with the show as the stilted manner in which the marionettes moved. Personally my innate obsessive-compulsive behavior prevented me from a simple suspension of disbelief so I concocted a back-story about a galaxy-wide epidemic that left victims with arthritic joints – which caused the aforementioned stilted and stiff movements – but to each his own.

Out of the entire series Invasion: Earth is my favorite episode – for a very special reason. I belong to a very select group of people called The Fireball XL5 Club. It doesn’t sound like it would be that exclusive, but this particular Fireball XL5 Club is made up of people who were watching the show when the Great Alaskan Earthquake of 1964 hit. It was this specific episode that was playing – but for years I didn’t know how it ended; as the tremors hit our TV tipped over, pulling the plug out and cutting the episode off with about ten minutes to go. I spent the next twenty years wondering how Steve and the gang handled the vaguely Oriental-sounding invaders but then I found a fourth-generation bootleg VHS that carried me over until A&E released the DVD set.

I love the show and I while I wouldn’t have changed a thing “back in the day” it’s been fun to tweak details and exercise creative muscles. From the first time I saw Jim Ringo’s armored bat-suit worn by Michael Keaton in the 1989 Batman movie I’ve been a fan of tweaking details. For example in today’s post I’ve re-imagined Zoonie not as a goofy sidekick but rather the vital crew member Zuni, ready to lend the muscle where needed, but retaining the original character’s good nature, just as my “Chris Rock” post yesterday put Lieutenant Ninety in a much different light.

Fireball XL5 Re-boot: LT Ninety

He gave us orcs, ents and halflings but I’ve always thought the phrase ‘the story grew in the telling” to be one of the most magnificent creations John Ronald Reuel Tolkien gave to the world. For me it neatly describes the convoluted trails the process of creation can follow…and my reimagined Lieutenant Ninety is an excellent example of that concept.

As I’ve written elsewhere FIREBALL XL5 is the Gerry Anderson program that I will always love the best. I’ve designed new vehicles and uniforms that echo the classic design and I’ve even compiled a list of suggested actors for a rebooted live-action series, but as I was reviewing that list it occurred to me that I’d come up with a group of people similar in composition to Ivory Soap (99 and 44/100 Caucasian). That prompted me to make some changes, not as a measure of political correctness but to stay close to Sir Gerry’s vision which was much more diverse than usual for the times.

…so out went Rob Schneider and in came Chris Rock.

I also wanted a dress uniform for the World Space Patrol and was favoring the long-tailed mess blues that the United States Army used up until recently, but it was a photo of Levar Burton as LT Geordie LaForge wearing that contrived piece of craptacular tailoring that passed for a Starfleet formal dress uniform that snapped the last creative Lego in place for me – add an outsized fedora and a couple of chains and –voila – you have a zoot suit.

It’s a concept that might not be all that far off as what goes around usually comes around. I swore in 1973 that I’d be wearing bell-bottom pants for the rest of my life, and I’ve seen halter-tops cycle in and out of women’s fashion a couple of times. Who’s to say that a “reet pleat” won’t be the height of military fashion in 2119?

2019-10-03a LT Ninety 2019-10-3b LT90 Color

Midnight Son Update 24 OCT 2019

There’s a lot going on with:

  • preparing the manuscript for e-book formats
  • lining up publishers
  • evaluating freight options

…. so this will be a rather abbreviated update…

As it looks now the e-book will go out on Monday the 4th November 2019 with printed books following in the mail by mid-December. This of course assumes that there is no extinction-event level asteroid-impact on the Yucatan Peninsula nor any opening of a massive interdimensional rift sending us all back to the Middle Ages.

In the meantime we’re still hammering out logistics and composing surveys that will come out next week. As we compile this information please bear in mind that I am new to KickStarter –which means there is a chance for a wrong key stroke or click on the wrong space.

…so if there are any doubts about correct contact information please get ahold of us right away!

The Eye of the Kickstarter Storm

(…AKA the latest update to the Midnight Son KickStarter Campaign)

If you’ve ever experienced a hurricane you know that halfway through the storm there’s an oddly quiet period when the winds die down and everything seems eerily calm. Unfortunately you are experiencing passage of the eye of the hurricane, a pivot point around which the storm spins and a period of near-normal conditions that will disappear as the hurricane continues to move.

We’re at a point like that now – the tumult of the pledge portion of the campaign is over and it seems like nothing is happening while all the accounting and number-crunching is going on but soon the pace will pick up again after accounts are settled and fulfillment begins. Fortunately I am a little more mobile (love those cortisone shots) and I have a great resource in my friend and Traveller guru March Miller who is providing invaluable advice/service in coordinating with printers and planning the logistics required for fulfillment.

It’s all on track and on schedule – and even though “on track” and “on schedule” are words rarely associated with hurricanes they fit perfectly in this situation.

Thanks again

 

David

My Personal Board of Directors: Charles R. Marriott

One of the best moves I made on the 17th of October 1972 – the day I decided to start keeping a journal, and though I’d had several false starts during high school I’ve been able to keep writing ever since that day forty-seven years ago. I started out using a blank book, then switched to typewritten pages during my bicycle penance and eventually made the jump to digital media in 1986. At one time I would write at least weekly but since I started blogging I add to my journal maybe once a quarter. I’ve never begrudged the time and effort in all that writing, my only regret being that I didn’t start and continue when I first got the idea in the fall of 1969; had I done so I would have had more information with which to write about Charles Rodney Marriott.

Thought I only knew him for nine months, Marriott definitely holds a seat in my personal Board of Directors, and by that I mean that group of adult men who advised and coached me through the rough spots and junctures in life and in general made up for the lack of guidance from my own family. I shy away from the word “mentor” as the only Mentor I knew of was a member of T.H.U.N.D.E.R. Agents – a Tower Comics character of minor interest, being one of the second string of heroes ignored in favor of everyone’s favorite Dynamo. I learned the meaning of the word when I reached college but the definition was confusing – the idea of someone actually taking time with me was utterly foreign. It was also a word used overmuch and without a lot of real thought by people that I should have been able to trust, so I’ve adopted the “board of directors” to use instead.

Charles Rodney Marriott was a former Marine hired as an English instructor at Kenai Central High School in the fall of 1969, having served for thirty years and retiring as a warrant officer after having served in World War II, Korea and Vietnam. As a service brat I was happy to have him as an instructor but looking back it was an unusual choice on the part of the school district given the unrest over the war in Vietnam and changes in society in general.

It was a time for interesting changes in our own little academic world as well: that fall the English classes were radically re-organized for sophomores, juniors and seniors. Instead of taking one class from one teacher for the entire school year students were to enroll in a different module every nine weeks. There were some guidelines – you had to take a set number of classes in three categories (literature, composition and oral skills) but other than that, students were free to put together their own program. Marriott was my instructor for two classes: Newspapers & Magazines during the second nine week grading period and Motion Pictures for the fourth.

I wasn’t sure what to expect out of the Newspapers & Magazines class other than we each would be getting copies of Time magazine and the New York Times national edition each week. I assumed that we’d just be reading articles and making reports on what we read so I was surprised when he showed up for the first class pushing a film projector into the classroom. We then spent the next week watching movies about the production and dissemination of propaganda. The films were ‘50s era productions made by the Department of Defense to counter Communist propaganda but despite the hyperbole they were effective in teaching us about propaganda techniques such as “Glittering Generalities”, “Jumping on The Bandwagon” and “Poisoning the Well” that are found in propaganda from both sides of the political spectrum – but I was truly baffled when the films stopped as I had no idea what we’d be doing for the other eight weeks of the grading period.

That’s when we went back to those issues of Time and the New York Times; we took the propaganda techniques we learned about in the films and tried to find examples in the news stories…and were collectively horrified to find those tricks and techniques in all the stories. We expanded our search to other publications and found that the pattern continued, and Mr. Marriott would have us discuss what we found while managing to stay fairly objective about what we found.

It was at this point in my life that I stopped taking news reports at face value and started to analyze each message as best I could as a sixteen year old from Sterling, Alaska. Even now I mentally filter every new story I watch or read through those analytical tools, tools that eventually got me starting to seriously think about intelligence and security careers in the military.

(OK, OK so it really all started with Napoleon Solo and Ilya Kuriyakin from The Man from UNCLE but Marriott’s class was a BIG plus!.)

As he was one of a team teaching the Motions Pictures class took from him later in the spring he didn’t have quite the same impact but he still would take time to talk to me personally about my life and my future plans involving military service – I think my status as a Navy service brat made it a little easier for him to be candid with me. Unfortunately a low grade classroom scandal about R-rated cartoons a student drew on a chalkboard prevented him from gaining tenure and he left KCHS rather precipitously after just one year, not even leaving a photo in the yearbook at his departure.

I saw him just one more time when he stopped by the locker room during two-a-day football practice the following August and for the next almost-50 years I had no idea what happened to him until I started research for this post. It turned out that he married Ruth Kilcher (pop star Jewel’s grandmother) and ended up living less than twenty miles from me when we lived in Knoxville until he passed away in 2005. Finding that out was a little tough to deal with, knowing that as I was teaching my teen-age sons about analyzing news stories for propaganda techniques the guy that taught me literally lived just over the river and through the woods. I would have loved introducing my sons to him.

…and I hope that as he read those local newspapers, magazines and watched local TV coverage he may have seen the stories that were written about our “family of artists”. I hope he was able to connect the dots and figure out who I was, and able to feel a measure of pride and credit for the contribution he made in my life.

     (Special Thanks to Glenn Tauriainen for assistance in research for this story)

Thank You Again Kent Gardner

No, your eyes aren’t magically getting better. Good friend and graphics guru Kent Gardner has once again come to the rescue and cleaned up an image for me. The original painting entitled “Middle-Aged” sold to a collector less than six weeks after I finished it and unfortunately the only reference image I had was a one of a run of  mini-prints we’d made before the sale…which was why the previous image was lacking in quality.

Thanks again “Gahd-nah!”

1964: One For The Road

We were living in Sterling for no more than a week when it became apparent that I wasn’t the only member of the family who missed Anchorage. From the middle of August to the end of September of 1964 we made the trip three times, for reasons ranging from coordinating Church programs to getting medical treatment at the Elmendorf AFB hospital to retrieving some odd item left during the move while crashing at night with mom’s best friend Jeanne Johnson, though Mom let me stay with my best friend Mark instead.

However, because of the recent Good Friday earthquake the trips could end up taking more than just the time required to transit the 276 mile round trip. A good portion of the highway curled around Turnagain Arm, the branch of Cook Inlet that extended to the south of the Anchorage basin. The trip around Turnagain is one of the most beautiful stretches of highway in the world and takes in majestic spruce covered mountains with countless waterfalls as well as a few rivers and several major streams crossing under the highway to feed into the arm…and there’s where an element of chance entered in.

During the earthquake the ground level around the southern end of Turnagain arm dropped six feet and in the process guaranteed the eventual death of Portage, a small hamlet/railway station at the south end of the arm. The abrupt drop either destroyed or severely compromised all the bridges over the aforementioned waterways so as part of the recovery effort temporary bridges were erected to the side of the old ones and anchored on raised berms that put the driving surface an extra six feet above the original road bed to prevent damage from ocean waters that now flooded the highway during periods of high tide. it also meant that if you failed to consult the tide table when planning a drive around Turnagain arm you stood a good chance of being stranded on one of those elevated bridges until the tide receded.

…which was how we ended up stranded on a bridge late one August night. My mother, four sisters and I ended up spending four hours crammed into a our white Ford Falcon station wagon, though by that time the mud from transiting the regularly flooded highway had our car looking more than white. It could have been worse – August still gave us extended daylight hours and we were able to pass the time with a stack of comics and a box full of home-brewed root beer we’d been given as we left Mark’s house.

As Mom had forgotten her wristwatch on the trip we were clueless about when we could leave the safety of the bridge and it was a little scary when a set of disembodied headlights appeared off the end of the bridge, lights that slowing coalesced into the front end of a Alaska State trooper’s cruiser. The officer parked and walked up to talk to my mom sitting in the driver’s seat, slowly playing the beam of his flashlight though the interior of the Falcon while enquiring about situation.

Suddenly the flashlight stopped and the trooper asked “Mrs. Deitrick, is everything OK with you and your children?” to which my Mom breezily answered in the affirmative.

“‘Are you sure everything is OK?”

I started to duck for cover – Trooper or no trooper, one thing you never did twice was contradict my mom, but in some random act of sanity she resisted verbally blasting the officer, and glanced back to the spot where the officer’s flashlight was shining…on my five-year-old sister Heather guzzling from an Olympia beer bottle. There was a moment of awkward silence then we all started laughing and explained that Mark’s mom hadn’t removed the label when she refilled the bottle with home-made root beer. She had been a war-bride from Helsinki and had grown up with Finland’s much more relaxed attitude towards alcohol so the thought of removing the labels had never occurred to her.

The trooper got good laugh as well, and after clearing us to proceed he left with a copy of the root beer recipe that Mark’s mom had given us, a recipe that my family also tried shortly after getting back to Sterling.

We just made very, very sure to remove all the labels from the bottles before we used them ourselves.

Kickstarter Update 9: Setting the Record Straight.

One of the best classes in my graduate school experience was a design class taught in the theater department. In that class I learned:

  • The importance of color and lighting in creating a mood
  • How costuming can aid immensely in establishing a character
  • The importance of conducting good research prior the actual design process

When designing for a historical production our instructor would insist on primary sources in our research – for example when designing for Edmund Rostand’s Cyrano d’Bergerac we were to find photos of drawings or paintings from the Baroque period rather than copying imagery from motion pictures. I thought it was an unnecessary step – until I actually compared pictures from the 17th century with 20th century designs and discovered multiple anachronisms and wide use of ahistorical color in the later work.

I’m finding a similar situation in the way people look back at the 1960s and 70s. In 2019 there are a lot less of us who actually lived through those times which leaves production of material about the era to much younger people who don’t always consult “primary sources”. The other day I viewed a YouTube presentation about “ten things people don’t know about the 1960s” and of the ten only three of the items were valid observations. I got the impression that the other seven “things” came after the writer spent an afternoon binge-watching Mad Men and it had me wondering if did something similar when looking back to the 1920s as a high school student.

That’s another reason why I wrote Midnight Son and its upcoming sequel. I’m doing my best to capture the essence of those times and pass the information on to younger generations who would otherwise assume that all men of that day overwhelmingly preferred Twiggy to Raquel Welch…which was definitely not the case.

The campaign is definitely starting to wind down and I want to thank you all for the tremendous support you’ve shown this past month. It’s made a lot of difference to me – as all of this has been going on I have also been dealing with a tear in the meniscus of my right knee and the hustle & bustle of the campaign has been very therapeutic for me.

Thanks again!

David

Kickstarter Update 26 SEP 2019

   This is all going much faster than I had imagined. When we kicked off the campaign earlier this month I assumed time would drag much like it did those few weeks before a childhood Christmas,  but the opposite has proved to be true. It seems like I just blinked and >BLING< we have just over a week to go …which means I’m starting to plan the fulfillment phase of the campaign.
   As is the case with most other book publication campaigns I will be signing books as part of some reward levels, but my signature will include something extra in that along with an inked signature I will be embossing my logo. It’s a mark I adopted just a little less than forty years ago and for the last thirty I have incorporated the image into my “tag” when signing artwork. In dimensional work I use an actual physical construct  cast in polyurethane resin or cut from paper.
   I came up with the embossed version when my son Sean showed me a personal seal he’d obtained in Japan where such things take the place of legal signatures in official documents Obtaining a seal is a rite of passage for young adults in that country with each one being unique and almost impossible to counterfeit.  I thought it was a nifty idea especially when I discovered my forged signature on prints and cards sold by third parties – so now when you see my hand-written signature accompanied by my embossed logo you can be sure that it is genuine.
   As for the logo and any inherent symbolism: first and foremost I wanted a symbol that was bold and immediately recognizable so any meaning is secondary, even speculative. Besides, if ATT can use a Death-Star image for their mark then I can use a mark that looks like a pocketknife, a reversed letter “D” in cursive, or whatever you want it to be.
As usual, thanks again for your support. If you haven’t done so already please share the Midnight Son  link with your friends and family.
Best wishes,
david
DeitrickLogo

Kickstarter Update 7: Superhero Support!

It looks like pledges have leveled off a bit but that’s to be expected at this point in time. We’re not quite halfway through the campaign and I know several people (most of them family members!) that still intend on making pledges so there are still good things to come.

You may have noticed that whenever the dollar amount reaches an odd number it will shortly round up to the next five-increment (as in 122 mysteriously becoming 125). Well, I’m here to tell you that we have a superhero in our midst, a would-be X-man named 5ive whose mutant power it to transform numerical totals to the afore-mentioned five-increment. He’s registered under his secret identity’s name but out of respect for his privacy I’m using his code-name.

…and I’m also sharing an image of him out of my sketch-book.

Thanks again for your support. If you haven’t done so already please share the Midnight Son link with your friends and family.

Best wishes,

d –

5ive