During the ten-year period following the Skye Boat Song promotion I sent out some sort of promotional piece every six months or so, the cards often performing double duty as convention flyers, bookmarks and on one occasion a change-of-address card. One fairly effective piece was a large color card displaying several color images produced by one of my major clients – they’d ganged the images on the end of a regular print run then used the bundle of finished cards barter in settling an old debt .
It seemed to be particularly effective as a hand-out at the dealers’ room tables we would often run at conventions….until I saw convention attendees sporting buttons displaying some of the same images from the card. At first I was pleased, assuming the buttons to be promotional items coincidentally sent in by the publisher in question but when I determined that the buttons had been purchased my sons and I did some investigating and found that a t-shirt vendor six tables down from us had walked off with half my cards and was using a hand-punch to make them into buttons then selling them for a couple of bucks apiece.
(It’s always amazed me that to the end he emphatically insisted he “didn’t do nothing wrong!”)
Entitled Queen and Escort this image was one of the multiple samples on that card but was well-received enough to serve as a promotional mailer on its own in the spring of 1986. It’s one the best examples of the composite technique I used at the time as well as one of my first large format female figures and was the basis for a third-person cosplay performance as well as the subject of two different small sculpts of mine later on. It was a point of pride that the concept, composition and use of color was strong enough to gloss over the fact that she wasn’t wearing very much. It even took my mom fifteen minutes of viewing before she tumbled to her state of relative undress.
Queen and Escort still hangs on my studio wall despite several lucrative offers, but then the highest bids invariably come from gentlemen ( and I use the term loosely) that I’d never want as owners of my work. This image is based on a Cibachrome print and the colors have shifter quite cool over the years. With the daughters and granddaughters I have now I don’t think this is something I’d do again but it remains one of my favorites