1995: Double Angel

AngelInWhite

When it comes to wealth and/or physical possessions I have always tried to stay negotiable in that any amount of my money or any possession was “negotiable” if a friend or family was in need. For example during our wilderness years in Eastern Tennessee my sons could always tell when we started our Christmas shopping because it was as that point that my CD collection would start to shrink as I started selling them to finance the purchase of gifts.

I’m not nearly as generous with my work – it’s tough to let it leave my possession and I won’t sell a piece of art now without a very pressing reason…but the most difficult “departure” for me involved a piece of work that wasn’t even finished. It was twenty-five years ago and between caring for our newborn daughter Meghan and teaching an early-morning religion class My Beautiful Saxon Princess had little time for painting and had little to show for an upcoming convention. On the other hand I had three paintings started, one of which showed a lot of promise so push-over that I am I wrapped it up and put it under the tree for my sweetheart.

Not many people would start to sniffle at the sight of pencil lines on primed Masonite but then My Beautiful Saxon Princess isn’t most people. I’d gone through several overlay/steps to get the drawing just right and the underpainting I’d included neatly indicated all the lights and darks which made finishing the picture both timely and painless. The signature is different from the way either one of use routinely sign work but then it’s probably the closest to a true collaboration we’ve ever done – evidently a good thing because it both swept awards and sold immediately at the convention.

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